Friday music: Salut Salon

August 15, 2014 • 5:41 am

It’s gonna be a long day. Besides working on The Albatross, I had to dress up, which I hate, to get photographed for the dust jacket of The Albatross.  So let’s begin the day with some nice, upbeat music, played in a, well, acrobatic way. It’s Vivaldi, but you’ll recognize other songs as well. The YouTube notes say this:

“The Summer”, composed by Antonio Vivaldi, becomes the stage for a musical competition. Salut Salon fight acrobatically and with a special sense of humor — this is a Salut Salon classic, a live recording from the movie “Salut Salon. The Movie”, directed by musicfilmmaker Ralf Pleger.

If you closed your eyes, you wouldn’t think anything weird was going on.

Salut Salon is a quartet of four German musicians from Hamburg who have played together since 2000.  As their German Wikipedia article notes, they play not only classical music, but jazz, pop, and folk. One of the members even sings, and they do some bits with a puppet named Oskar. They also run several outreach programs to introduce young children to music.

Here they are with Oskar, and they can’t help cracking themselves up:

There’s a lot more of Salut Salon on YouTube; I haven’t found any serious pieces played in a conventional way. They remind me of a younger, classically-oriented Spike Jones ensemble.

 

h/t: Ant

36 thoughts on “Friday music: Salut Salon

  1. Sorry for my ignorance, but is “The Albatross” the actual name of your upcoming book, or is it just a nickname because writing it is so much work and deadlines etc.? (I was thinking it was the latter)

    1. It’s not the title, just the weight around the good professor’s neck. It’s a reference to Coleridge’s poem, “The Rime of the Ancient Mariner.” The title of the book is unknown, at least to me. Can’t wait to see it in press!!!

  2. Thank you for introducing me to Salut Salon.
    Absolutely bringing the joy and also the fun of music to this old lady.

  3. Don’t let the humour and acrobatics fool anyone: like the all male version Mnozil, the musicians of Salut Salon are all outstanding musicians first, demonstrating a very high level of technical expertise and musicianship I doubt can be accounted for by Gladwell’s assertion for mastery after 10,000 hours (and found wanting in this paper). The love and joy of being able to perform so well for an audience – to bring them along on a musical story – is captivating and infectious.

    1. In my experience those that are best at exploring outside the norm are almost always those that have already mastered the classical aspects, whatever the field may be.

      I am all for giving the establishment the proverbial finger and letting it all hang out, and especially for exploring new territory but, even in something as raw as Rock music, mastery of classical forms can only enhance whatever inspirations one may have.

  4. That was great! The cracking up like that happens to me just in that way but not in such circumstances because I don’t have talent like that. It was funny to watch.

    1. Exactly! Victor Borge came to mind here too. What is amazing is not only the musicianship, but the timing of all the moves. Wow, that is really something.

  5. I’m really looking forward to “Why Intelligent Design Is True” and your induction as a senior fellow at the Disco Tute. Of course, you’ll have to close comments on your blog. Looking forward to seeing pictures of your new dog, Dembski, too.

    (Kink made me write this.)

  6. Very, very fun!! Cracking up on stage, hilarious. I love that effect of the pizzicato cello played like a guitar.

    There’s a really fun scene with that at the very end of the film Master and Commander which is great fun (and a great piece of music). (Boccherini’s “Musica notturna delle strade di Madrid”.)

  7. Oh yes, they are great! I saw them last year here in Hamburg. It’s amazing what they can do with their instruments. Only true mastery can make it look that easy.

  8. I’m going to dissent and say that if you are an accomplished musician then you don’t need to be a circus artiste as well. The music is good enough.

    1. Fair enough.

      But there’s more.

      I’m very happy that they can step out of the stereotype stiff, stern, serious classical musician role from time to time.

      I would never want to see this for a full show; but as an encore? It’ll bring the house down. It shows a real sense of fun.

  9. That was fabulous. But their outfits were distracting, despite the fact that they are very talented…they are also not unattractive.

  10. Germans seem to like the combination of music and humour (who doesn’t) and do it extremely well. Here’s Max Raabe and the Palast Orchester, who I saw in Switzerland a few years ago. It’s worth watching this long video through. Max can have the audience rolling in the aisles with a look. https://www.youtube.com/watch?v=eDA_CQDLE6Y

    Of course, if you like more humour with your music, you’d have to go a long way to beat Fascinating Aïda. Here’s their take on budget airlines. https://www.youtube.com/watch?v=ZAg0lUYHHFc

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